C'est un bourgeois, mais non un bourgeois ordinaire”: The
Por um escritor misterioso
Descrição
Ingres’s portrait of Louis-François Bertin (1832) has been universally accepted as a visual “apotheosis” of the newly powerful early 19th-century bourgeoisie in France. Here, we study the inconsistencies and contestation which contributed to this identification. Beginning with the moment of its first public exhibition in the 1833 Paris Salon, this article traces Bertin ’s evolving reputation as an image of its epoch, focusing on its reappearance in public first at the Bazar Bonne-Nouvelle in 1846, and then in the display of Ingres’s works at the Exposition Universelle of 1855. This leads to a critical assessment of how the picture’s role as a political emblem has been related to later assertions that it also exemplified the artist’s incipient modernism. The exhibition of works by Ingres at the Paris Salon d’Automne in 1905 allows us to take stock of claims made about the picture’s status in the early 20th century. However, in contrast to the habitual desire to modernise Ingres (and thereby to detach him from a lingering taint of academicism), this article argues that a key element in the reception of Ingres’s portrait in the second half of the 19th century is a recognition of its rootedness in values emanating from the Revolution of 1789, embodied both in the person of LouisFrançois Bertin and Ingres’s representation of him.
Le sérieux et la feinte. Le bourgeois dans la littérature réaliste - Persée
Le Bourgeois, le gentilhomme et le François Morel
Le Bourgeois Gentilhomme
Avec un pull, petit bourgeois sauvage
Reconstituer l'ascension sociale d'un bourgeois au temps de Louis XIV : Geoffroy Petit, marchand mercier, directeur des Postes, intendant militaire puis seigneur de Nanteau-sur-Lunain
George Dandin et Le Bourgeois gentilhomme : le mariage de la comédie et du ballet - Persée
Ni vue ni connue - 2. Accablée de tous les mots - Éditions de la Maison des sciences de l'homme
GUIDE DE SAVOIR-VIVRE à L'USAGE DU PETIT BOURGEOIS HEUREUX - L'Incorrect
Julia Cagé et Thomas Piketty : « Le vote Macron est le plus bourgeois de l'histoire de France »
de
por adulto (o preço varia de acordo com o tamanho do grupo)
