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Jill R. Ehnenn, “On Art Objects and Women's Words: Ekphrasis in Vernon Lee (1887), Graham R. Tomson (1889), and Michael Field (1892)”

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Jill R. Ehnenn, “On Art Objects and Women's Words: Ekphrasis in Vernon Lee (1887), Graham R. Tomson (1889), and Michael Field (1892)”
PDF) Here “there is no place / that does not see you”: Thirding
Jill R. Ehnenn, “On Art Objects and Women's Words: Ekphrasis in Vernon Lee (1887), Graham R. Tomson (1889), and Michael Field (1892)”
PDF) “Pomp(ous) Sirk-umstance: Intertextuality, Adaptation, and
Jill R. Ehnenn, “On Art Objects and Women's Words: Ekphrasis in Vernon Lee (1887), Graham R. Tomson (1889), and Michael Field (1892)”
PDF) Vernon Lee: New Woman Sondeep Kandola
Jill R. Ehnenn, “On Art Objects and Women's Words: Ekphrasis in Vernon Lee (1887), Graham R. Tomson (1889), and Michael Field (1892)”
PDF) Feminist Ekphastic Writing to Body the Unknown
Jill R. Ehnenn, “On Art Objects and Women's Words: Ekphrasis in Vernon Lee (1887), Graham R. Tomson (1889), and Michael Field (1892)”
The Routledge Companion to Victorian Literature 9781138579866
Jill R. Ehnenn, “On Art Objects and Women's Words: Ekphrasis in Vernon Lee (1887), Graham R. Tomson (1889), and Michael Field (1892)”
PDF) The Yellow Paper: Journal for Art Writing, Edition 1
Jill R. Ehnenn, “On Art Objects and Women's Words: Ekphrasis in Vernon Lee (1887), Graham R. Tomson (1889), and Michael Field (1892)”
PDF) To Bind in Admiration all who Gaze
Jill R. Ehnenn, “On Art Objects and Women's Words: Ekphrasis in Vernon Lee (1887), Graham R. Tomson (1889), and Michael Field (1892)”
Art BRANCH
Jill R. Ehnenn, “On Art Objects and Women's Words: Ekphrasis in Vernon Lee (1887), Graham R. Tomson (1889), and Michael Field (1892)”
PDF) Edith Södergran's Genderqueer Modernism
Jill R. Ehnenn, “On Art Objects and Women's Words: Ekphrasis in Vernon Lee (1887), Graham R. Tomson (1889), and Michael Field (1892)”
PDF) Between the Mind and the Hand: Gender, Art, and Skill in
Jill R. Ehnenn, “On Art Objects and Women's Words: Ekphrasis in Vernon Lee (1887), Graham R. Tomson (1889), and Michael Field (1892)”
Timeline: Perception and aesthetics
Jill R. Ehnenn, “On Art Objects and Women's Words: Ekphrasis in Vernon Lee (1887), Graham R. Tomson (1889), and Michael Field (1892)”
DOC) 'The Lustful Twin, the Black Swan': Feminine Monstrosity
Jill R. Ehnenn, “On Art Objects and Women's Words: Ekphrasis in Vernon Lee (1887), Graham R. Tomson (1889), and Michael Field (1892)”
PDF) Ekphrasis as Encryption: Leah Goldberg in Berlin
Jill R. Ehnenn, “On Art Objects and Women's Words: Ekphrasis in Vernon Lee (1887), Graham R. Tomson (1889), and Michael Field (1892)”
Jill R. Ehnenn Department of English
Jill R. Ehnenn, “On Art Objects and Women's Words: Ekphrasis in Vernon Lee (1887), Graham R. Tomson (1889), and Michael Field (1892)”
PDF) Press Review of my contribution to the volume Women
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